A retelling of the Greek myth of Cupid and Psyche, located in an ancient kingdom near Greece. Orual, destined to be queen but never to find love, is the ugly sister. Clever and determined she is a just and fitting ruler. Her preternaturally beautiful sister, Psyche, is to be sacrificed to the dark god to end a plague, but is saved by the god of love. The love affair is doomed by the bitter motives of others. This is a tale of the deepest emotional needs, of jealousy and sacrifice. The most complex of all Lewis's fiction works, many-layered.

In 1922, F. Scott Fitzgerald announced his decision to write "something new--something extraordinary and beautiful and simple + intricately patterned." That extraordinary, beautiful, intricately patterned, and above all, simple novel became The Great Gatsby, arguably Fitzgerald's finest work and certainly the book for which he is best known. A portrait of the Jazz Age in all of its decadence and excess, Gatsby captured the spirit of the author's generation and earned itself a permanent place in American mythology. Self-made, self-invented millionaire Jay Gatsby embodies some of Fitzgerald's--and his country's--most abiding obsessions: money, ambition, greed, and the promise of new beginnings. "Gatsby believed in the green light, the orgiastic future that year by year recedes before us. It eluded us then, but that's no matter--tomorrow we will run faster, stretch out our arms farther.... And one fine morning--" Gatsby's rise to glory and eventual fall from grace becomes a kind of cautionary tale about the American Dream.

"True Names" (1981), the story that began SF's cyberpunk revolution, with 11 essays showing its effect on science as well as fiction. The best are the testimonials by pioneers in virtual reality, cryptography and artificial intelligence. The most famous contributors, Marvin Minsky and Danny Hillis, also show the deepest understanding of Vinge's vision. The weakest pieces are science-fictional, appearing pale in the shadow of Vinge's story. Fellow SF author John M. Ford's essay is lightweight, while a stunted attempt at storytelling by Richard Stallman quickly reverts to polemic. The overall problem with the collection is its wildly unbalanced political stance. A quarter of the essayists are "crypto-anarchists," who see the ability of individuals to act secretly as the only defense against a totalitarian surveillance state. Their claim that the response to public tragedy is always a call to restrict civil rights seems sadly prescient, but their antisocial antidote sits poorly after September 11; the crypto-anarchists' beloved secrecy lets both terrorists and tyrants flourish. More socially responsible uses of cryptography exist that could, like the camcorder, give the power of surveillance to the people. It's a shame that editor Frenkel didn't seek out alternate voices such as Bruce Sterling or David Gelernter, but the book is still a testament to SF's power to shape the future and give us advance warning of the rocky issues ahead.

For generations, the Cave family has been marked by scandal, madness, and violence. But after earning a reputation for bravery in the army, Horatio Cave, the new Viscount Darien, has come home to charm London society and restore the family name. He means to start with the lovely Lady Thea Debenham. The magnetism between them is immediate, but can Thea trust the dark, sexy "Vile Viscount"? And will Thea's brother Dare-the most dashing member of the Company of Rogues--believe that Horatio does not deserve the cursed Cave reputation?

Eight centuries from now-long after the Big Mistake and the death of Old Earth-humaniaty is again on the brink of war. Galactic War. There are other human beings living beyond The Hegemony of Man, and these Ousters are about to trigger all-out war by invading Hyerion, a remote planet, a world of mysteries. The Tombs have been the center of political and philosophical controversy since their discovery in Hyperion's desert. There are those who believe the Tombs signify that the time has come for humanity to Atone for its long, bloody history,. And the instrument of Atonement is the Shrike-the Lord of Pain. Now the leaders of Hedgemony have decided to allow one final journey for seven specially chosen pilgrims. One thing is certain: at a time of impending chaos, the Shrike and those facing his awful judgement hold the key to the future.

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